We are introducing a brand new feature here at Cute Crochet Chat! Periodically, we will be posting an interview with some of your favorite crochet designers! Today, we are lucky enough to have the incomparable Vashti Braha with us! Vashti recently launched a new website with some incredible crochet designs for sale. After reading our interview, check out all the wonderful crochet patterns she has to offer!
1. HOW LONG HAVE YOU BEEN CROCHETING AND WHEN DID YOU FIRST LEARN?
My mother taught me when I was nine. She had started out a self-taught knitter, but as a young mother with two children under the age of three, she taught herself to crochet so that she didn’t have to worry about dropped stitches. Her grandmother’s crochet inspired her to learn. I instantly fell in love with crochet when I learned it. I felt like I was empowered to make anything that I could imagine.
2. IF YOU COULD SPEND A DAY WITH ANYONE, LEARNING AND SHARING ABOUT CROCHET, WHO WOULD IT BE?
Ooo, that’s a tough one! I’m going to rule out those with whom I’ve already been able to do that. It would be James Walters or Annie Potter. Two very different people! It’s because of both the breadth and depth of each of their penetrating explorations into stitch structures and range of materials.
3. How did you become interested in actual designing in crochet?
Once I knew what crochet was, I don’t think there was a time when I wasn’t interested in designing. It just took me a long long time to find out how to go about it! I didn’t know that’s what I was doing all along. I found out six years ago by attending a CGOA conference and being asked to sell the designs that I was wearing.
4. Where do you get most of your inspiration from, for crochet designs?
Most often it’s from the challenge of solving a problem, and from specific crochet stitches. My fingers will start craving the feeling of a type of stitch in a type of yarn, and I’ll start getting a vision of the kind of fabric I want to end up with. The “Weightless Tunisian Stole” is a perfect example. I was driven by a specific fabric fantasy. Or take love knots. The stitch fascinates me and the space “inside” each love knot captured my imagination. The Love Knot Embracelet and the Lovepod Boa designs result from my daydreaming about the spaces as being places.
The Weightless Tunisian Stole pattern is available HERE
Currently a Weightless crochet-along is starting up in Crochetville HERE
5. Would you say that you have a particular design style?
If you mean an overall look and feel, I suspect I do by now but I’m not good at stepping back and looking at my stuff that way. I think of myself as doing a quirky range of different things, but one word editors have used from the beginning to describe my stuff is “breezy.” Maybe living in Florida influences my design style.
If you mean a particular approach, overall I seem to favor side-to-side construction, and mixing types of construction in one piece. Lately I’ve been on a “corner-start/on the bias” jag. I like unexpected ways to arrive at the same thing....or to arrive at an unexpected thing :)
6. Has your style changed at all since you first started crochet design?
I look at some early designs now and think, “Ah, yes, that was from my exuberant phase.” For example, “Lunar Window.” Back then I had just learned how to make chainless foundation stitches of any height. Meanwhile in the Crochet Partners forum, people were complaining about Fun Fur because it was difficult to work the first row into the foundation chains with that yarn. I figured, people would have more fun using their Fun Fur stash if they avoided using a foundation chain altogether. I used 3 colors of Fun Fur so that the color would change as the stitch heights changed.
I’m very fond of my early patterns and the way I went out on a limb sometimes. I had no idea what I was really in for when it came time to write up the patterns for them!
On the other hand, I feel like I’ve always used crochet to express everything, as my “mother tongue”, just like how I use English, and time seasons my skills and reveals new crochet vocabulary. Not sure how much that changes my style.
I sure don’t understand people who think they know all there is to know about crochet! Sometimes I hear this from people who learned how to knit and crochet and only seem to let themselves be challenged by knitting. For me, crochet is ever full of mystery. There’s plenty more to discover. I’m grateful for every day that I have the time and health and passion and funds to explore it!
On the other hand, I feel like I’ve always used crochet to express everything, as my “mother tongue”, just like how I use English, and time seasons my skills and reveals new crochet vocabulary. Not sure how much that changes my style.
I sure don’t understand people who think they know all there is to know about crochet! Sometimes I hear this from people who learned how to knit and crochet and only seem to let themselves be challenged by knitting. For me, crochet is ever full of mystery. There’s plenty more to discover. I’m grateful for every day that I have the time and health and passion and funds to explore it!
8. Do you have a favorite pattern of your own design, either sold or self-published that you love the most?
I have a few kinds of favorites. When I succeed in designing something that is perfection in function, it’s a “go-to” pattern--the first thing I reach for and use all the time, like Quencher. When my current Quencher wears out, I will make another to replace it immediately. (To this day I’ve never succeeded in creating a go-to cardigan for my picky self, but I keep trying. It has to settle across my back neck and shoulders a certain way, allow freedom of movement, not feel heavy, be something that I want to make in every color, etc.)
Other patterns are my favorites because they express my spirit so much, such as Mermaid Shrug, Lovepods Boa, Crystal Jubilee Vest (and of course the infamous Chaps LOL). And then there are the ones I’m proud of because of the engineering: the Barcelona, Baroque Tabard, Tokyo Jacket (the first is a join-as-you-go side-to-side raglan with invisible lace seams; the other two are simple shapes with various features that give the illusion of shaping).
Barcelona Jacket (free pattern)
Baroque Tabard (free pattern)
9. How did you first become involved with the Crochet Guild of America?
I discovered the online crochet world shortly after I became a mom in 1999. It was heaven. (It’s still heaven!) I found out about CGOA and their Chain Link conferences from the first forum I ever joined, Crochet Partners. The first Chain Link conference I attended (for 1 day!) was in 2002 because it was held in West Palm Beach and I could drive to it. It was my first time away since having a baby. I was hooked from then on. My next conference was 2004, where I met Gwen Blakely Kinsler, the founder, and I learned all about the history of the organization; and I met Marty Miller, who told me about CGOA’s mentor program for Associate Professionals.
Here’s a photo of Marty and me at the CGOA design booth for the 2005 Chain Link conference:
10. Most of our readers love learning about 'breaking into' the crochet design business. What advice or tips can you give other crocheters who are interested in such a venture?
If a crocheter would like to go professional, the best thing he or she could do is to crochet every day in an exploratory way. This accomplishes many things: you grow your skills which strengthens your designs; you develop a bank of design ideas so that you’re primed for when an editor puts out a call for design proposals or for when you’re ready to launch a pattern line, or put together a book proposal; and you get habituated to a productive routine. Try a new-to-you stitch pattern, or a hook size outside of your comfort zone, or a yarn with a different texture or fiber than you’re used to. It doesn’t have to be for a long period of time every day, but it’s even better if you keep a pen and design notebook nearby, get into an introspective/reflective zone, and start playing with hook and yarn. When you discover something, jot it in your notebook and save that swatch. Have little hang tags at hand so that you can label it with the hook size you used (get a box of them at any office supply store). Tape the swatch to the page, or if that’s not practical, write the notebook page number on the tag.
I keep colored pencils nearby too. I’ve learned about myself that I forget to experiment with colorwork, so after I experiment with a stitch combination, I try visualizing what would happen if I changed colors here and there, and I sketch for later.
I keep colored pencils nearby too. I’ve learned about myself that I forget to experiment with colorwork, so after I experiment with a stitch combination, I try visualizing what would happen if I changed colors here and there, and I sketch for later.
11. What's on your hook now?
Four things:
- A diamond-shaped vest/wrap shape experiment with an interesting picot mesh stitch pattern worked on the bias. This one’s suspenseful! I have no idea how it’s going to turn out.
- A beaded craft yarn version of “Frostyflakes,” a wide shallow side-to-side triangular wrap that I’ll be adding to my pattern website soon. I made a white one in mulberry silk yarn shop yarn, and I like to show my designs in yarns from both yarn shops and craft chain stores.
- A thing, which will be in a book. You can wear it. I can’t talk about it because I’m not the publisher :)
- Teaching a class on my popular “Satin Pillows Necklace” in a yarn shop inspired me to use my pale pink pearl strand to make a third one. It has a Ravelry project page:
(Pattern page: http://www.ravelry.com/patterns/library/satin-pillow-stitch-necklace target="blank" )
Thank you Vashti, for an extremely informative and interesting Meet The Designer!!
